Understanding the New York Mayor's Sartorial Choice: The Garment He Wears Tells Us About Contemporary Masculinity and a Changing Society.
Coming of age in London during the 2000s, I was always surrounded by suits. You saw them on City financiers rushing through the Square Mile. They were worn by fathers in the city's great park, playing with footballs in the golden light. Even school, a inexpensive grey suit was our required uniform. Traditionally, the suit has served as a uniform of gravitas, signaling authority and performance—traits I was told to aspire to to become a "man". However, until recently, people my age seemed to wear them less and less, and they had all but vanished from my mind.
Then came the incoming New York City mayor, Zohran Mamdani. He was sworn in at a private ceremony dressed in a subdued black overcoat, pristine white shirt, and a distinctive silk tie. Propelled by an ingenious campaign, he captured the world's imagination unlike any recent mayoral candidate. But whether he was celebrating in a music venue or attending a film premiere, one thing was largely unchanged: he was frequently in a suit. Relaxed in fit, contemporary with unstructured lines, yet conventional, his is a quintessentially middle-class millennial suit—well, as typical as it can be for a generation that seldom bothers to wear one.
"This garment is in this weird position," says style commentator Derek Guy. "It's been dying a slow death since the end of the Second World War," with the real dip coming in the 1990s alongside "the advent of business casual."
"Today it is only worn in the strictest settings: marriages, memorials, to some extent, court appearances," Guy states. "It is like the traditional Japanese robe in Japan," in that it "essentially represents a tradition that has long ceded from everyday use." Many politicians "wear a suit to say: 'I am a politician, you can trust me. You should support me. I have legitimacy.'" But while the suit has traditionally signaled this, today it performs authority in the attempt of gaining public trust. As Guy clarifies: "Since we're also living in a liberal democracy, politicians want to seem approachable, because they're trying to get your votes." In many ways, a suit is just a subtle form of drag, in that it enacts manliness, authority and even closeness to power.
Guy's words resonated deeply. On the rare occasions I require a suit—for a ceremony or formal occasion—I dust off the one I bought from a Japanese department store a few years ago. When I first picked it up, it made me feel sophisticated and high-end, but its tailored fit now feels outdated. I suspect this sensation will be only too recognizable for many of us in the global community whose families originate in somewhere else, particularly global south countries.
It's no surprise, the everyday suit has lost fashion. Similar to a pair of jeans, a suit's silhouette goes through trends; a particular cut can therefore characterize an era—and feel rapidly outdated. Take now: looser-fitting suits, reminiscent of Richard Gere's Armani in *American Gigolo*, might be trendy, but given the cost, it can feel like a significant investment for something destined to be out of fashion within a few seasons. Yet the attraction, at least in some quarters, persists: in the past year, major retailers report suit sales increasing more than 20% as customers "shift from the suit being daily attire towards an desire to invest in something exceptional."
The Politics of a Mid-Market Suit
Mamdani's preferred suit is from a contemporary brand, a European label that sells in a mid-market price bracket. "He is precisely a product of his upbringing," says Guy. "In his thirties, he's not poor but not extremely wealthy." Therefore, his mid-level suit will resonate with the demographic most inclined to support him: people in their 30s and 40s, college graduates earning middle-class incomes, often frustrated by the expense of housing. It's precisely the kind of suit they might wear themselves. Affordable but not lavish, Mamdani's suits arguably align with his proposed policies—which include a rent freeze, constructing affordable homes, and free public buses.
"You could never imagine a former president wearing this brand; he's a luxury Italian suit person," observes Guy. "As an immensely wealthy and grew up in that New York real-estate world. A status symbol fits seamlessly with that elite, just as attainable brands fit well with Mamdani's cohort."
The history of suits in politics is long and storied: from a well-known leader's "controversial" tan suit to other national figures and their suspiciously impeccable, custom-fit appearance. As one British politician learned, the suit doesn't just clothe the politician; it has the potential to characterize them.
The Act of Normality and Protective Armor
Perhaps the key is what one scholar refers to the "enactment of ordinariness", summoning the suit's long career as a uniform of political power. Mamdani's particular choice leverages a studied understatement, not too casual nor too flashy—"conforming to norms" in an unobtrusive suit—to help him connect with as many voters as possible. But, some think Mamdani would be cognizant of the suit's military and colonial legacy: "This attire isn't neutral; scholars have long noted that its modern roots lie in military or colonial administration." It is also seen as a form of protective armor: "It is argued that if you're from a minority background, you might not get taken as seriously in these traditional institutions." The suit becomes a way of signaling credibility, perhaps especially to those who might question it.
Such sartorial "code-switching" is not a recent phenomenon. Indeed historical leaders once wore three-piece suits during their formative years. Currently, certain world leaders have begun swapping their typical fatigues for a black suit, albeit one without the tie.
"Throughout the fabric of Mamdani's public persona, the tension between belonging and otherness is apparent."
The attire Mamdani selects is highly significant. "As a Muslim child of immigrants of South Asian heritage and a democratic socialist, he is under scrutiny to meet what many American voters look for as a marker of leadership," notes one author, while simultaneously needing to walk a tightrope by "avoiding the appearance of an elitist betraying his non-mainstream roots and values."
Yet there is an acute awareness of the different rules applied to suit-wearers and what is interpreted from it. "This could stem in part from Mamdani being a millennial, able to assume different personas to fit the occasion, but it may also be part of his multicultural background, where adapting between cultures, traditions and clothing styles is typical," it is said. "White males can go unnoticed," but when others "attempt to gain the authority that suits represent," they must carefully negotiate the codes associated with them.
Throughout the presentation of Mamdani's public persona, the tension between somewhere and nowhere, inclusion and exclusion, is visible. I know well the discomfort of trying to conform to something not built for me, be it an inherited tradition, the society I was born into, or even a suit. What Mamdani's style decisions make clear, however, is that in politics, appearance is never neutral.